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“There was an opossum sleeping in here last time I was here,” he says, before asking about some baby owls he had seen perched on a cabinet. When we arrived, he greeted the director and staff, and inquired about animals he saw on his last visit.
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He’s brought orphaned squirrels and an injured ibis there, and he took a wildlife rehabilitation workshop, learning how to intubate a distressed animal by practicing on a dead possum. Harris, a nature lover, has been visiting the center regularly for 20 years. Cari works there as a volunteer, caring for injured birds. Harris and I met on a bright, muggy morning in the parking lot of the Pelican Harbor Seabird Station, an animal rescue center on Biscayne Bay that features prominently in his new novel. It’s not that Harris has a particularly gruesome imagination, it’s that he’s a keen observer and a chronicler of people and their darkest impulses. Harris, 78, repeats this idea, or a variation of it, nearly every time I ask him about the origins of a plot point or a character, and it occurs to me that his answer is scarier than anything I could have anticipated. You don’t have to make anything up in this world.” “I don’t think I’ve ever made up anything,” he tells me as we drive across Miami’s 79th Street Causeway, which takes us past a small island called Bird Key where a climactic scene in his new novel, “Cari Mora,” takes place. So it’s somewhat unnerving to hear Harris insist that he doesn’t invent anything.
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His infamous serial killer, Hannibal Lecter, devours his victims’ organs after delicately preparing them, and once ate a man alive, serving slices of his brain with truffles and caper berries.
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The movie is incredibly suspenseful and an absolute must see.MIAMI - Thomas Harris, the creator of one of literature’s most terrifying monsters, arguably has one of the darkest imaginations of any writer working today. It set the stage for an edge-of-your seat climax. However, through skillful timing of the direction, the audiences assumptions are used against them and when the truth is revealed (hint: it involves a doorbell) it is shocking and induced a collective gasp from the audience I saw it with at the theatre. I don't know if all the credit goes to Demme or the writers, but there is a moment in the film where the suspense builds beautifully to a what seems to be a common movie scene. It is one of the most simply brilliant scenes ever staged in a movie. There is one scene late in the movie that I will not spoil. The title of the movie comes from these exchanges and is very poignant.
Her only bargaining chip in getting Lector's help is to let him `feed' on her innermost secrets and fears in exchange for his brilliant insights into the psychotic mind. This is the perfect way to play the part because it explains Lector's interest in Clarice. The fear she shows just behind her eyes makes Clarice's outward courage all the more interesting and vulnerable. While Anthony Hopkins receives most of the (well-deserved) praise for his chilling portrayal of incarcerated serial killer `Hannibal the Cannibal' Lector', it is Foster's performance that holds the movie together. Foster's performance is absolutely brilliant. `Silence of the Lambs' is the story of a young FBI trainee Clarice Starling (Jodie Foster) who is summoned to help find one serial killer called `Buffalo Bill.' by interviewing another. It is a powerful example of how great a movie can be when superb writers, directors, actors, and others work at the top of their craft. Doing it nearly a year after a film was released is a miracle considering the notoriously short attention span of Oscar voters. Sweeping all five major Academy Awards ("Oscars" for Best Movie, Director, Actor, Actress, Screenplay) is quite an accomplishment.